作者：[荷]辉伯·席佩斯 林维亚 张伯瑜 编
页数：188
出版社：中央音乐学院出版社
出版日期：2021
ISBN：9787569601565
电子书格式：pdf/epub/txt
内容简介
本书是应用民族音乐学方向的英文文集。2018年中央音乐学院组织召开了国际传统音乐学会“应用民族音乐学研究分会第六届国际会议”，当时有来自四十多个国家的学者参加了会议。本书是从所参加会议者的报告中选择出的文章，另外邀请美国著名学者安东尼-西格为本书写了序言。这些文章涉及到了世界不同国家有关非物质文化遗产保护问题，传统音乐的教育问题，应用民族音乐学的理论与方法问题等。这些文章来自世界各国的著名民族音乐学家，具有广泛的影响力。
目录
Acknowledgements
Preface: Study Groups, Honeybees, and Dialogues in Applied Ethnomusicology
Introduction: The Vibrant and Diverse Practices of Applied Ethnomusicology
Part One:
General Refleetions on the Field
Applied Ethnomusicology in China and Beyond: Dialogues and Reflections
Outreach, Inreach, Transreach? – Defining Types of Musical Community Engagement
Let’s Not Forget the Larger Context: Short-term Applied Projects and Long-term Sustainability
Part Two:
Applied Ethnomusicology and Intangible Cultural Heritage
Ways of Engaging with Traditional Music Performances by Chinese Ethnomusicologists: A Personal Perspective
Uyas Kmeki of the Seediq: A Case Study on the Efforts toward Cultural Sustainability in Taiwan
Practice and Experiment: China’s National Cultural Ecosystem Conservation Areas as a New Approach to Intangible Cultural Heritage
Incorporating Intangible Cultural Heritage in a Local Conservatory: The Case of Dongbei Dagu, a Narrative Art from Northeastern China
Part Three:
Applying Ethnomusicology in Various Settings
Applied Ethnomusicology in Museum Exhibitions: Critical Reflections on Sound Narratives as a Method for Knowledge Transfer
“Music Without Borders”: Austria as a Case Study in Conducting Intercultural Music Education Through Ethnomusicology
Performing Cultural (Un-) Sustainability: Rationale and Impact of an Applied Theatre Workshop in a West-African Graduate Programme
Rama and the Worm: A Performance-Based Approach to Applied Ethnomusicology
“Quilombo, Favela, Rua”: Sarau Divergente in the Fight against Black Genocide in Rio de Janeiro
Note: Other than Xiao Mei and Gao Shu, all Chinese names are presented with family names coming last.
Preface: Study Groups, Honeybees, and Dialogues in Applied Ethnomusicology
Introduction: The Vibrant and Diverse Practices of Applied Ethnomusicology
Part One:
General Refleetions on the Field
Applied Ethnomusicology in China and Beyond: Dialogues and Reflections
Outreach, Inreach, Transreach? – Defining Types of Musical Community Engagement
Let’s Not Forget the Larger Context: Short-term Applied Projects and Long-term Sustainability
Part Two:
Applied Ethnomusicology and Intangible Cultural Heritage
Ways of Engaging with Traditional Music Performances by Chinese Ethnomusicologists: A Personal Perspective
Uyas Kmeki of the Seediq: A Case Study on the Efforts toward Cultural Sustainability in Taiwan
Practice and Experiment: China’s National Cultural Ecosystem Conservation Areas as a New Approach to Intangible Cultural Heritage
Incorporating Intangible Cultural Heritage in a Local Conservatory: The Case of Dongbei Dagu, a Narrative Art from Northeastern China
Part Three:
Applying Ethnomusicology in Various Settings
Applied Ethnomusicology in Museum Exhibitions: Critical Reflections on Sound Narratives as a Method for Knowledge Transfer
“Music Without Borders”: Austria as a Case Study in Conducting Intercultural Music Education Through Ethnomusicology
Performing Cultural (Un-) Sustainability: Rationale and Impact of an Applied Theatre Workshop in a West-African Graduate Programme
Rama and the Worm: A Performance-Based Approach to Applied Ethnomusicology
“Quilombo, Favela, Rua”: Sarau Divergente in the Fight against Black Genocide in Rio de Janeiro
Note: Other than Xiao Mei and Gao Shu, all Chinese names are presented with family names coming last.
