作者：王文章编
页数：269
出版社：中央编译出版社
出版日期：2011
ISBN：9787511713124
电子书格式：pdf/epub/txt
内容简介
This book was written about Chinese Folk Arts and Crafts Series.The author written his esperience in the Regong Area and told us about the Tangka.We can learn more culture about Tangka.We can know the main tools about Tangka painting and how to make the tools.At the same time，we can know the types of Tangka’s features.
目录
Chapter One Impression on Regong
ChapterTwo Xihedao’s experience of apprenticeship
Chapter Three Traditional tools for Tangka painting
Chapter Four Painting process of Tangka and its related theories
Chapter Five The making of pigment and skill of coloring
Chapter Six Types of Tangka， its mounting and features of iconography
Chapter Seven Xihedao and Regong art
Chapter Eight Life in Wutun Village
Xihedao Chronology
Postscripts
节选
Therefore，chanting and painting are a basic traditional learning method for each Tangka heritor.From the perspective of Tibetan Buddhism，painting a variety of Buddha statues is the manifestation of personal.merit，and it is an important way of practice of Buddhism.A large number of monk artists try to complete the individual practice of Buddhism through the sacred cause ofpainting Buddha statues.Later，with the everincreasing demand of Buddha statue and various causes that make monk artists return to secular life，Tangka creation in the Regong area keeps abreast of the situation of monastery Tangka painting and local civil painting.In particular，since the reform and opening，there is an increasing market demand for Regong Tangkas.It has been an important way for local people to set out on a road to prosperity.Therefore，such an ancient traditional art as Tangka can be passed down till now while its painting tools are still passed down from generation to generation without much change. During the interview in the Regong area，many artists still use the old self-made charcoal to sketch，they think it’s easy to modify by gentle flipping.Only in the final version will they use a pencil，a kind of modern appliances. Artist’s frame and various types of painting brushes are selfmade and made ofraw mateiials usually from birch and poplar trees that have been growing in the Regong land since the ancient times.The material of brushes comes from horses，wolves，goats，weasels，cats and other animals.The artists often use”Lag-sgrib”（the small pad used under the palm）to prevent hand sweating when painting.The small pad is made of goat or fox skin.Their compass is also self-made（hinged device for drawing circles.）.Tangka beauty is shown in the use of such simple original painting devices.We can say that the various types of painting tools are a high degree unity of Regong people’s deep love for Buddhism，artistic passion and wisdom of survival.This chapter describes their usual painting tools，and mainly displays the tacit relationship between the artistsand those self-made painting tools. ……
