作者：李庆本，崔连瑞撰稿
页数：142
出版社：五洲传播出版社
出版日期：2008
ISBN：9787508514543
电子书格式：pdf/epub/txt
内容简介
Literature, in a strict sense, refers to “the art of beauty” or “the art of language”, including poetry, prose, drama, fiction, etc. However, the concept “literature” has gone through a complicated process of evolution in the course of history before it develops the meaning we usually refer to today.
作者简介
李庆本，1965年10月生于山东省莱州市。毕业于山东大学中文系，1993年6月获文学博士学位。曾任国家汉语水平考试中心HSK[高等]研究室主任，驻马耳他使馆中国文化中心首席项目官员(一秘)。现为北京语言大学比较文学与世界文学学科带头人，人文学院教授、博士生导师，世界文学与文化研究所所长。主要从事文艺美学、比较诗学的跨文化研究，并致力于中国文化思想史、学术史的研究。曾在国内外重要学术刊物发表50余篇学术论文，出版7部著作。目前主要学术兴趣为：文化产业与政策，生态美学与生态文明，伯明翰学派文化研究。曾获霍英东教育基金青年教师奖(研究类)。
崔连瑞，女，1981年生，山东省茌平人，北京语言大学比较文学与世界文学专业在读硕士研究生，译有《大众记忆：理论、政治、方法》、《后女性主义和大众文化》等。
本书特色
★ 16开平装，英文版，铜版纸印刷
★ 立足于“比较”二字，选取中西文学进行了比较
★ 对中西文学的特色差异进行全方位的介绍
★ 全彩图文，融知识性、趣味性和通俗性
文学，一般是指“美的艺术”或“语言艺术”，包括诗歌、散文、戏剧、小说等样式。
文学，一般是指“美的艺术”或“语言艺术”，包括诗歌、散文、戏剧、小说等样式。《中西文学比较》就从诗歌、散文、戏剧、小说四方面进行了中西文学的比较。
目录
Chapter I Rhythmic Subtlety vs Metrical Inspiration——Comparison of Chinese and Western Poetry.
Section I. Secular Songs vs Religious Hymn: Difference in Subject Matter
Section II. Shifting vs Relative Stability: Comparison in Poetic Forms
Section III. Rich Techniques vs Predilection for Symbolism: Difference in Techniques
Section IV. Different View on War and Death: Difference in Values
Chapter II Abstract Ideation vs Vivid Description——A Comparison of Chinese and Western Prose
Section I. Philosophical Strength vs Emotional Vigor: Comparison of Chinese and Western Prose
Section II. Fu and Dialogue Form Prose: Comparison of Specific Styles
Section III. Individualism vs Collectivism: Values reflected in Chinese and Western Essays
Section IV. Impact of Western Prose on Chinese Prose
Chapter III The Art of Alienation and Integration——Comparison of Chinese and Western Drama
Section I. Singular in Time and Space: Different Origins of Chinese and Western Drama
Section II. Undiluted Tragedy vs Aesthetic Grief: Comparison of Dramatic Tragedies
Section III. Alienation vs Integration: Difference of the Relationships between Actors and Audience
Section IV. Exchanges and Assimilation
Chapter IV Versatility vs Relative Uniformity——Comparison of Chinese and Western Fictions
Section I. Steady Development vs Catching up: Development of Chinese and Western Fictions
Section II. Direct Portrayal vs Indirect Rendering: The Psychology in Chinese and Western Fiction
Section III. Absence vs Awakening: Feminist Consciousness in Chinese and Western Fictions
Section IV. Chinese Fiction under the Influence of Western Ideas: Impact and Assimilations
节选
