作者：刘琉
页数：287
出版社：上海三联书店
出版日期：2023
ISBN：9787542682802
电子书格式：pdf/epub/txt
内容简介
作者于2011年获得上海师范大学汉语言文字学博士学位，师从张谊生教授。此后，于2019年获得澳大利亚悉尼大学哲学博士学位，博士论文题目是“The Yangzhou Storytelling of Rogue Pi Wu : A Case Study of Yang Mingun and His Repertoire”。此书以作者的博士论文为基础凝炼而成。本书对扬州评话的艺术特征作了一个跨学科探索。过程中重视田野调查，通过语言学、文学、表演学研究方式，探索并验证扬州评话的艺术特征源于表演者对表演语言、表演动作、表演内容等方面的传承和创新。扬州评话书面与口头传统的关系、扬州方言的语境构建作用也有机融合在该探索过程中。书中，作者用西方表演理论阐释中国评话表演中的术语，例如，“书路子”“口、手、身、步、身”“理、味、趣、戏、技”，目的在于找到中西方研究的相通之处。本书旨在为中国非物质文化遗产的传承和国际推广提供学术支持。
作者简介
作者刘琉是南京工业大学海外教育学院讲师，研究方向： 现代汉语语法；从语言学角度解析中国传统表演文学
目录
ONE
Introducfion
1.1 Yangzhou：The Birth Place of Yangzhou Storytelling
1.2 The Basis of the Yangzhou Storytelling of
Rogue Pi Wu
1.3 Literature Review
1.4 Methodology
TWO
The Pu School of Pi Wu
2.1 The Pu School of Pi Wu in History
2.2 Sources of Inspiration for Pu Lin’s Creation
2.3 Conclusion
THREE
Performance Space and the Audience
3.i Yang Mingkun and the Pi Wu Story House
3.2 The Tradition of Yangzhou Story House
3.3 The Development of Audience in Yangzhou
Storytelling
3.4 Conclusion
FOUR
Narrative Features in Yang Mingkun’s Performance
4.1 Preservation
4.2 Enrichment through Addition and Reduction
4.3 The Narration of Pi Wu in Yang’s Story
4.4 Conclusion
FIVE
Phonetic and Syntactic Features of Yang Mingkun
Performance Language
5.1 Phonetic Features of Yang’s Performance Language
5.2 Syntactic Features of Yang’s Performance Language
5.3 Historical-linguistic Value of Yang’s Performance Language
5.4 Conclusion
SIX
Lexical Features of Yang Mingkun’s Performance Language
6.1 Diction
6.2 Nong，Yalibuyaxia，Guaiguailongdidong and Huolodo
6.3 Comedic Elements
6.4 Conclusion
SEVEN
The Features of Acting by Yang Mingkun
7.1 Speaking Styles
7.2 Mouth Acrobatics，Look，Hand，Body and Step
7.3 Conclusion
EIGHT
Conclusion
Bibliography
Introducfion
1.1 Yangzhou：The Birth Place of Yangzhou Storytelling
1.2 The Basis of the Yangzhou Storytelling of
Rogue Pi Wu
1.3 Literature Review
1.4 Methodology
TWO
The Pu School of Pi Wu
2.1 The Pu School of Pi Wu in History
2.2 Sources of Inspiration for Pu Lin’s Creation
2.3 Conclusion
THREE
Performance Space and the Audience
3.i Yang Mingkun and the Pi Wu Story House
3.2 The Tradition of Yangzhou Story House
3.3 The Development of Audience in Yangzhou
Storytelling
3.4 Conclusion
FOUR
Narrative Features in Yang Mingkun’s Performance
4.1 Preservation
4.2 Enrichment through Addition and Reduction
4.3 The Narration of Pi Wu in Yang’s Story
4.4 Conclusion
FIVE
Phonetic and Syntactic Features of Yang Mingkun
Performance Language
5.1 Phonetic Features of Yang’s Performance Language
5.2 Syntactic Features of Yang’s Performance Language
5.3 Historical-linguistic Value of Yang’s Performance Language
5.4 Conclusion
SIX
Lexical Features of Yang Mingkun’s Performance Language
6.1 Diction
6.2 Nong，Yalibuyaxia，Guaiguailongdidong and Huolodo
6.3 Comedic Elements
6.4 Conclusion
SEVEN
The Features of Acting by Yang Mingkun
7.1 Speaking Styles
7.2 Mouth Acrobatics，Look，Hand，Body and Step
7.3 Conclusion
EIGHT
Conclusion
Bibliography
