作者：李慧著
页数：163页
出版社：西南交通大学出版社
出版日期：2017
ISBN：9787564359034
电子书格式：pdf/epub/txt
内容简介
本书从想象性和感知性诗学观、时空观和叙述方式四个方面详细而周密地论证威廉斯诗歌与印象主义绘画艺术通感的有效性, 揭示威廉斯诗歌的先锋性和艺术特性, 从而有助于深化国内外威廉斯的诗歌研究。
本书特色
本书从想象性和感知性诗学观、时空观和叙述方式四个方面详细而周密地论证威廉斯诗歌与印象主义绘画艺术通感的有效性, 揭示威廉斯诗歌的先锋性和艺术特性,
从而有助于深化国内外威廉斯的诗歌研究。
目录
Chapter 1 Introduction
1.1 The Motivation of the Project
1.2 Literature Review
1.3 Brief Introduction of Impressionism and Literary Impressionism
1.4 The Organization of This Book
Chapter 2 Influences of Visual Arts on Williams
2.1 Williams’ Contact with the Visual Arts
2.2 Pound’s Influence on Williams in Visual Arts
Chapter 3 The Observer and the Observed as Co-maker in Williams’ Poetic5
3.1 The Interplay of the Observer and the Observed
3.2 A Harmony of Illusion and Reality in Williams’ Poetics
3.3 “Glass” Poetry: A Case Study on Williams’ Poetics
Chapter 4 The Act of Perception in Williams’ Poetry
4.1 A Fresh Relationship with the Everyday World
4.2 The Immediacy of Impression
4.3 The Conflict between Sensual Response and Rational Response
Chapter 5 Spatial Time in Williams’ Poetry
5.1 The Harmony of Light and Color
5.2 The Philosophy of Water
5.3 The Image of Spatial Time
Chapter 6 Impressionist, Narrative in Williams’ Poetry
6.1 Williams’ Limited Narrative
6.2 Williams’ Fragmental Narrative
Chapter 7 Conclusion
Bibliography
Appendix Illustrations
1.1 The Motivation of the Project
1.2 Literature Review
1.3 Brief Introduction of Impressionism and Literary Impressionism
1.4 The Organization of This Book
Chapter 2 Influences of Visual Arts on Williams
2.1 Williams’ Contact with the Visual Arts
2.2 Pound’s Influence on Williams in Visual Arts
Chapter 3 The Observer and the Observed as Co-maker in Williams’ Poetic5
3.1 The Interplay of the Observer and the Observed
3.2 A Harmony of Illusion and Reality in Williams’ Poetics
3.3 “Glass” Poetry: A Case Study on Williams’ Poetics
Chapter 4 The Act of Perception in Williams’ Poetry
4.1 A Fresh Relationship with the Everyday World
4.2 The Immediacy of Impression
4.3 The Conflict between Sensual Response and Rational Response
Chapter 5 Spatial Time in Williams’ Poetry
5.1 The Harmony of Light and Color
5.2 The Philosophy of Water
5.3 The Image of Spatial Time
Chapter 6 Impressionist, Narrative in Williams’ Poetry
6.1 Williams’ Limited Narrative
6.2 Williams’ Fragmental Narrative
Chapter 7 Conclusion
Bibliography
Appendix Illustrations
