作者：滕继萌
页数：315
出版社：世界知识出版社
出版日期：2012
ISBN：9787501243747
电子书格式：pdf/epub/txt
内容简介
《读解流行音乐》收集了20篇反映欧美学者自20世纪90年代以来对世界流行音乐研究的最新成果，以跨学科、跨文化等多重视角和研究范式对流行音乐的不同流派、传播手段、音乐版权、群体身份和性别等话题进行了细致入微的解构，分析和解读了流行音乐中歌手、乐迷、唱片公司管理者、音乐类型、传播手段等主要元素及其建构的意识形态网络，立体呈现了当今世界流行音乐的发展趋势。 《读解流行音乐》由滕继萌、劳伦斯·西蒙斯编著。
本书特色
滕继萌、劳伦斯·西蒙斯编著的《读解流行音乐》共收集了20篇音乐批评的专业论文，涉及了世界流行音乐研究的方方面面，其体系完整、内容充实、对于本科高年级和研究生一、二年级学生尤为适用，既可以作为本科生的选修课教材、也可以用作研究生专业课教材，特别是对即将进入硕士论文写作阶段的学生尤为重要。为了帮助学生提高学习效率，每篇论文都配有详尽的中文导读、完整的英文注释以及课后思考题，全书的最后还附有流行音乐研究关键词词汇表。
目录
Unit 1: Popular Noises Text I What Is This “Black” in Black Popular Culture？
Text II From John Farmhand to Lordi: the Noise of MusicUnit 2 : The Political Economy of Music Text III The Music Industry and Rap:between the Street and the Executive Suite Text IV Digitalisation, Music and CopyrightUnit 3 : Technology Text V The MP3 as Cultural Artifact Text VI No Dead Air！ The iPod and the Culture of Mobile ListeningUnit 4 : Musical Creativity, Authorship and Musicianship Text VII Music, Culture, and Creativity Text VIII From Craft to Corporate Interfacing: Rock Musicianship in the Age of Music Television and Computer-Programmed MusicUnit 5: Musical Forms, Styles and Genres Text IX Popular Music Analysis: Ten Apothegms and Four Instances Text X From “My Blue Heaven” to “Race with the Devil” : Echo, Reverb (Dis) Ordered Space in Early Popular Music RecordingUnit 6 : Visualizing Music Text XI Panel Discussion on Film Sound / Film Music Text XII The Aesthetics of Music Video: an Analysis of Madonna s”Cherish”Unit 7: Subjectivities, Bodies & Identities: Youth Text XIII Researching Youth Culture and Popular Music: a Methodological Critique Text XIV Just a Girl？ Rock Music, Feminism, and the Cultural Construction of Female YouthUnit 8: Subjectivities, Bodies & Identities: Gender and Sexuality Text XV Turn the Beat Around: Richard Dyer s “In Defence of Disco” Revisited Text XVI What s That Smell？ Queer Temporalities and Subcultural LivesUnit 9 : Subjectivities, Bodies & Identifies: Race and Ethnicity Text XVII Music and the Global Order Text XVIII From Bombayto Bollywood: Tracking Cinematic and Music ToursUnit 10: Spaces, Flows and Subjectivities Text XIX Dancing between Islands: Hip Hop and the Samoan Diaspora Text XX Would You Like Some World Music with Your Latte？ Starbucks, Putumayo, and Distributed TourismGlossary
Text II From John Farmhand to Lordi: the Noise of MusicUnit 2 : The Political Economy of Music Text III The Music Industry and Rap:between the Street and the Executive Suite Text IV Digitalisation, Music and CopyrightUnit 3 : Technology Text V The MP3 as Cultural Artifact Text VI No Dead Air！ The iPod and the Culture of Mobile ListeningUnit 4 : Musical Creativity, Authorship and Musicianship Text VII Music, Culture, and Creativity Text VIII From Craft to Corporate Interfacing: Rock Musicianship in the Age of Music Television and Computer-Programmed MusicUnit 5: Musical Forms, Styles and Genres Text IX Popular Music Analysis: Ten Apothegms and Four Instances Text X From “My Blue Heaven” to “Race with the Devil” : Echo, Reverb (Dis) Ordered Space in Early Popular Music RecordingUnit 6 : Visualizing Music Text XI Panel Discussion on Film Sound / Film Music Text XII The Aesthetics of Music Video: an Analysis of Madonna s”Cherish”Unit 7: Subjectivities, Bodies & Identities: Youth Text XIII Researching Youth Culture and Popular Music: a Methodological Critique Text XIV Just a Girl？ Rock Music, Feminism, and the Cultural Construction of Female YouthUnit 8: Subjectivities, Bodies & Identities: Gender and Sexuality Text XV Turn the Beat Around: Richard Dyer s “In Defence of Disco” Revisited Text XVI What s That Smell？ Queer Temporalities and Subcultural LivesUnit 9 : Subjectivities, Bodies & Identifies: Race and Ethnicity Text XVII Music and the Global Order Text XVIII From Bombayto Bollywood: Tracking Cinematic and Music ToursUnit 10: Spaces, Flows and Subjectivities Text XIX Dancing between Islands: Hip Hop and the Samoan Diaspora Text XX Would You Like Some World Music with Your Latte？ Starbucks, Putumayo, and Distributed TourismGlossary
